Venice and the Islamic World, 828-1797

Venice and the Islamic World, 828-1797

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From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the qbazaar of Europeq and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828a€“1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.The exterior is covered with repeating vegetal and floral motifs, : while on the interior a nine-pointed blue star is set against a white ... An increase in Persian ceramic production appears to have occurred during a period in which the Chinese industry declined (1652-83). ... Tile (c) bears the motif generally described by specialists as a classical leaf ornament; it is ringed by a polygonal pattern set ... It, too, became highly sought after, and was made for both home and export markers.

Title:Venice and the Islamic World, 828-1797
Author: Stefano Carboni, Institut du Monde Arabe (Paris), Metropolitan Museum of Art (New York, N.Y.)
Publisher:Yale University Press - 2007

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